L. Pandaa
Illustrator
I'm a teacher, and I've drawn in the margins of things for as long as I can remember — staff meeting notes, museum tickets, the back of a menu, the inside cover of a book I was supposed to be reading.
The panda comes from an old nickname. I sketched a small, unbothered bear waiting on a train platform somewhere between two cities, and then it kept turning up: in the next drawing, and the one after that. It was never planned as a character. It just refused to leave.
Panda Passport is where those sketches ended up. Each book takes one country, chooses thirty-five real places — the famous ones and the ones you have to be told about — and puts the same panda in every scene. I draw them by hand, one at a time, with shapes generous enough for a child and detail enough for an adult.
I care a lot about the index. Every place is listed with the region it's in, so the book works as a small atlas as well as a coloring book: you can find a page, then find the place on a map. I like the idea of a child coloring the deer of Nara and then asking where Nara is.
I live in Tilburg and have been teaching for 8 years. When I'm not in a classroom I'm usually planning the next trip, or drawing it. The next country is already half-sketched.
